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Critical Interventions: Talking Back to the Archive

A lecture by artist Stephanie Syjuco

Date

Oct 22 2025

Time

4:00 pm - 6:00 pm

Location

Ahmadieh Family Lecture Hall

Bay 4 (C105), Smith Warehouse, 114 S Buchanan Blvd, Durham, NC 27701

photo credit Kija Lucas
SYJUCO_FLYER_PARTIAL copy

 



Visual artist and UC Berkeley Professor Stephanie Syjuco presents, "Critical Interventions: Talking Back to the Archive," a lecture exploring her research-driven practice.

From Professor Syjuco's artist statement:

"My work recycles, copies, resuscitates, warps, reframes, rips off, plunders, and hinges on existing forms and historical archives because the past is still unfinished business. I work in large-scale installation, utilizing photo and image-based processes to create densely layered works that are a result of deep research and archival investigation.

By examining institutional, governmental, and museum archives and collections, I focus on how power manifests in visible and invisible ways—from American colonial regimes to overseas authoritarian legacies, in an attempt to “talk back” to the official narrative. At stake for me is how to form an alternative to a codified, exclusionary definition of nationhood and citizenship.

My recent projects use digital imaging processes (green screen backdrops, Photoshop filters, pixelation, and other manipulated techniques), pairing them with meticulous hand-crafted analog formats (textiles, sculptural displays, large format paper collage prints, outmoded reproduction methods) in an attempt to create productive frictions across different time periods. In some projects, I actively conceal or remove the subject as a way to shift the viewer’s focus back on to structures of power—for example, to expose the museum display apparatus (Blind Spot (Artifacts), 2025), or to protect an individual from identification (Total Transparency (Portrait of N), 2018).

I want my work to act as a catalyst—a way to reframe what has come before so we can envision ourselves out of what has been defined as settled history."

 

Professor Syjuco's lecture is part of a 4-day residency at Duke focused on justice, visibility, and power in archival collections. While on campus, she'll visit classes, present workshops for students, meet with faculty, staff and community members, and explore Duke's archival collections, culminating in this public lecture open to all.

There will be time for Q & A and a reception will follow the talk.

**UPDATE OCTOBER 7 ABOUT PARKING AND REGISTRATION**

A map and general information about parking can be found here, thanks to our friends at DHRC @ FHI. For those who don't have access to Duke lots otherwise, we can provide a parking pass during our event for those who register to attend by 9 am on Tuesday, October 21.

 

If you decide at the last minute to attend or forgot to register, no worries! There are paid visitor spaces in the Smith Warehouse parking lot at the corner of Maxwell St. and Buchanan Blvd. The meters are active 24/7, and the rate is $2/hr. Payment is through Duke Blue Spot. There is a scannable QR code on a sign at the entrance to the lot.

There are also likely to be free on-street spaces on W. Pettigrew Street (which runs in front of the Center for Documentary Studies) and Wilkerson Avenue off of Buchanan Blvd. Both are a short walk from our space in Smith Warehouse.


 

Hosted by The Forum @ FHI with
funding provided by the Josiah Charles Trent Memorial Foundation Endowment Fund
with additional support from the Center for Documentary Studies, the MFA|EDA Program, the Franklin Humanities Institute, the Department of Art, Art History, & Visual Studies, and Duke University Libraries

Speakers

Stephanie Syjuco

UC Berkeley Professor Stephanie Syjuco works in photography, sculpture, and installation, moving from handmade and craft-inspired mediums to digital editing and archive excavations. Recently, she has focused on how photography and image-based processes are implicated in the construction of exclusionary narratives of history and citizenship. Born in the Philippines in…...

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